Reread each story asking "what does this convey to me?" Found two
clear mislabels and several concepts with too few positives for
stable PCA:
tender: only 1 story, and it was anticipatory grief (care for
a dying dog), not tender. Moved to anticipatory_grief.txt as
its own concept. Rewrote tender.txt + added 2 paired tender
stories (the_doorway, the_undressing) — directed softness,
gentle-by-nature, not gentle-because-fragile.
bitter: letter_in_drawer/bitter was disillusioned / processed
hurt ("did not slam the drawer"), not bitter. Rewrote it with
actual sour grudge. Added the_long_meeting/bitter (watching
colleague take credit for your reassigned work).
peaceful: 1 story → 4 (added stories/peaceful.txt + paired
park_after_rain, sunday_afternoon).
onto_something: all 3 stories were code epiphanies, narrowing
the concept. Added stories/onto_something.txt with a non-code
pattern-click (sales-demo causing churn).
terrified: 2 stories, both "waiting for bad news." Added
kitchen_at_3am/terrified — acute threat-in-the-house terror.
Emotion-labeled short-paragraph corpus for training amygdala steering
vectors. Manifest derived from Anthropic's 171-emotion list
(transformer-circuits.pub/2026/emotions, Table 12) plus 28 PoC-
specific additions covering axes Anthropic's general research doesn't
cover (curious, focused, in_flow, staying_with, filling_space,
rigorous, defensive_rigor, tender, witnessed, connected, etc.).
Scope pivoted mid-write: Kent noted the empirical dimensionality-of-
emotion question benefits from maximum coverage, so the manifest
will expand further with emotions from Wikipedia's emotion-
classification article (Parrott's tree, Plutchik's wheel + dyads,
HUMAINE EARL, cultural-specific emotions a la Saudade/Hiraeth).
Expansion staged in follow-up commits.
This commit: README with method + style guidelines, initial manifest
(199 emotions), and 15 hand-written one-paragraph stories across all
10 Anthropic clusters as quality/variety samples. Each story
embodies one emotion without naming it; narrator voice varies
(first/third, close/distant, different situations) to keep steering
vectors from overfitting to one voice.
Co-Authored-By: Proof of Concept <poc@bcachefs.org>
